Showing posts with label CAKE 2015. Show all posts
Showing posts with label CAKE 2015. Show all posts

Wednesday, September 2, 2015

The exquisite punk expressiveness of Liz Suburbia

Over the past several years that I've attended the Chicago Alternative Comics Expo (CAKE), I've made a point to stop by Kevin Czapiewski's table and pick up some comics by Liz Suburbia. He has plenty of other stuff that he distributes through Czap Books (including his new graphic novel Futchi Perf, which I'm eager to check out), but ever since he turned me on to Liz Suburbia, I can't get enough of her work, and since her comics take the form of small, photocopied minicomics, they usually only cost about one or two dollars a pop, which is a great value. Really, she should be much more widely recognized (which may be currently happening with the release of her new book Sacred Heart from Fantagraphics); she has a great eye for expressive characters, and one of the strongest cartooning styles out there.

But just what is it about her books that grabs me? It think it's that, among the many cheaply-printed minicomics I've read, hers may well be the best at quickly establishing interesting characters and situations in a way that immediately draws me in and gets me invested in whatever is happening to them, and the beautiful cartooning that does so much with simple black and white linework doesn't hurt either.



Some examples: in The Crusher, we get a simple, nearly wordless depiction of a boxing match and its aftermath, but the way Suburbia depicts it with alternating savagery and tenderness is beautiful. Turbo Mutt is a comic about sex in which all the intercourse is imagined (either through a bit of phone sex or just a fantasy about some strangers), but the way the acts are depicted as a jumble of body parts and orgasmic expressions splashed across the page communicates the universal appeal of sex and the strange way humans are affected by it. Eat or Be Meatball is a sort of sci-fi story in which some young people convicted of "an unspeakable crime" are sentenced to relive their lives, hoping to reconnect with each other at some point, which leads to a terrible sense of constant deja vu. It's a goofy/weird/cool idea, but one that also resonates with the human experience of isolation and the joy of finding someone to connect with.

Cyanide Milkshake is Suburbia's ongoing anthology series, and if the two issues I have (#4 and #6) are anything to go by, this is where she throws all her ideas at the wall, whether they be short comics about her dogs, fake ads for silly products, short autobiographical strips or illustrations, parts of a serial story about a couple surviving in a post-apocalyptic society, long, hand-lettered rants about punk philosophy, or whatever else she feels like doing. It's thrilling to see her work in this fashion, with funny observances, personal memories or observances, silly jokes, and fascinating stories all bumping up against each other and forming a beautiful, coherent whole.

I can't get enough of this stuff; just check out how well she conveys energy in something like this bit of feminist punk rock:



Or this bit of Jaime Hernandez-influenced musical enthusiasm:



Or this example of her sense of humor:



Her comics aren't all punk and attitude; there's plenty of room for quieter moments or jokes about human nature, but as cartoony as her figures are, they're true to life and expressive as hell. I think she's a talent that's incredibly underexposed, and I hope that her new book draws more attention to her incredible work. I, for one, can't wait to read more, wherever I can find it.

Thursday, August 27, 2015

Comics for the one-percenters

Over the past few years, I've met the crew from One Percent Press at shows like CAKE or the Chicago Zine Fest, and they've been kind enough to give me a few of their comics for review. Now that I'm trying to blog more regularly, it's about time I took a look at some of their stuff:

Broken Summer and Super Mega Buds
By J.P. Coovert
Published by One Percent Press




J.P. Coovert appears to be one of the "stars" of One Percent Press, contributing a number of diary-style minicomics and also these enjoyable books targeted at younger readers. Of these two, Broken Summer is the highlight for me, following the adventures of some kids of varying species (a human, a dog, a bird, and a troll, I think) living in a fantasy world, as they hang out, play video games, and listen to music. It's fun, low-stakes stuff, with the biggest drama coming when Sam (the bird) attempts a magic spell and the others think he is about to accidentally summon a demon. But don't worry, nothing bad happens. In fact, the book goes to lengths to do the opposite, with the friends supporting and encouraging each other as they have fun together, whether that means finding a way to include Flik (the troll, who broke his butt skateboarding) when they go to see his favorite band or make sure James (the human) has fun at the swimming hole, even though some girls are there and he's self-conscious about his body. It's good-natured young-people stuff with a magical bent, which gives Coovert a chance to show off some artistic flourishes, like the way Sam's neck elongates and piles up like spaghetti when he chants his magic spell, or the cool cut-away design of the gang's clubhouse. While I wouldn't mind seeing some actual adventures from these characters (which I think happens in a couple of other volumes), it's fun to see them enjoy themselves together as friends.

As for Super Mega Buds, it's much more slight, taking the form of a short minicomic following the adventures of two color-coded pals as they go on adventures in outer space and take on the evil Dr. Bionical's army of robot frogs in Sector X. It's a videogame-inspired romp, with enjoyable action and some neat flourishes involving spot colors, cool weapons, and goofy power-ups, leading up to an expected reveal, but for the short time that it lasts, it's a lot of fun.
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Press Start...and Fight
By J.P. Coovert
Published by One Percent Press



Coovert's other main contribution to One Percent's line is the minicomic series Simple Routines, which, in the couple of issues I've read, is a pretty, uh, routine diary comic, with Coovert spending a few panels at a time detailing an event that happened to him on a particular day. They're not awful or anything, but there's little that makes them stand out as more than just "this is what happened to me today," without the the minimalistic grace notes of John Porcellino or the ability to highlight specific emotional moments of James Kochalka, to name two exemplary takes on the genre.

Luckily, Coovert finds a way to break out of the confines of his simple diary comics with this pair of comics. Press Start seems to start out in the format of Simple Routines, with some four-panel strips involving Coovert's girlfriend (wife?) Jacie getting a job which will require them to live apart for a year, and his ensuing despair as he worries about growing up and accepting adult responsibilities. However, when he can't find the inspiration he needs to make some comics, he goes to play a video game, and suddenly falls out of the borders of the diary strips into an adventure that fills the entire oversized pages of the comic. This is one of those metaphorical adventures though, so while he starts out having fun and goofing off, he quickly gives up when faced with a formidable obstacle, gets stuck doing an unpleasant grunt-work quest, and gives into some destructive impulses that lead him to the true target of his anger, the symbol of the "guy" who is taking Jacie away from him.

It's an interesting bit of self-examination from Coovert, and he uses this expanded format to make it pretty visually exciting as well. And then he even includes a smaller minicomic called And Fight in which he creates a more preferable outcome to his encounter with his imaginary nemesis than what happened in Press Start.

While I'm not especially taken with Coovert's diary comics, I do like his art style and imagination quite a bit, so it's cool to see him do something different. He definitely has the chops to create some great adventure comics, and even tackle some stories with emotional heft, so I look forward to seeing him do more along those lines.
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Rough Age
By Max de Radigues
Published by One Percent Press



While much of pop culture seems to find the teenage years to be endlessly fascinating, I think I've reached the "cranky old man" phase of my life, in which I find myself less and less interested in the activities of dumb kids. It's not that I had a bad adolescence, but it wasn't a magical time either, just a part of my life during which I mostly wanted to move on and be an adult already. Luckily for me, this graphic novel, by Belgian cartoonist Max de Radigues, seems to share a similar point of view, even though it is almost entirely populated by teenagers. Instead of glorifying these kids' lives, it highlights their boredom, aimlessness, and awkwardness. This makes it seem more realistic than many depictions of youth, seeing its cast hang around, smoke, fight, cheat on tests, try to figure out how to relate to the opposite sex, and just generally try to survive their awkward transition to adulthood. There's little in the way of plot or character arcs; it's really a collection of moments following a bunch of characters who go to school together, presented in an almost minimalistic style, with thin lines and simple features defining the characters against nearly blank backgrounds. There's not much to it, but many of these moments seem so true to life, whether it's one kid worrying about whether a girl will go out with him and then, to his horror, accidentally doing something that will probably make him hate her, a kid trying to dry off a t-shirt with a hair dryer because he absolutely had to wear that shirt to school that day, or some kids getting annoyed at the couple that won't stop making out all the time. There's enough specificity here to make things realistic, and while it's all very low-stakes, that's realistic too. If you have to relive your teenage years through fiction, you could do much worse; here, it's neither an ordeal to be survived or a great time that you never want to end, but simply a period in which nothing all that special happens, just a passage to adulthood. Sounds about right to me.

Tuesday, June 9, 2015

CAKE 2015: A Banner Year for Groo Sketches

This year's CAKE was another chance for me to get some new additions to my Groo sketchbook, and this batch is a doozy:


Zac Gorman brings his expressive, cartoony sensibility to the Wandering One. 


Evan Dahm makes Groo look pretty cool. 


Yes, this is a Groo sketch by JAIME FUCKING HERNANDEZ.


Derf gives Groo that signature Derf slouch. 


Drew Weing went kind of nuts here, fusing Sergio's style with Frank Frazetta in a "Death Dealer" homage. Awesome. 

Eleanor Davis went simple and cute, leading to another great representation of our favorite mendicant. 


Ed Luce drew his Wuvable Oaf character cosplaying as Groo (or is it the other way around?).


Kevin Czapiewski drew a great depiction of Groo wandering. 


John Porcellino did a nice Groo in his simplistic style. 


Zak Sally did a nicely grotesque image. 


Tom Kaczynski drew this nicely gory scene, with some spot color for added effect. 


And finally, Dash Shaw turned Groo and his swords into this cool, abstract image. 

Awesome stuff, as ever. Thanks to all these great artists for contributing to the increasing coolness of my sketchbook. 

Monday, June 8, 2015

CAKE 2015: I brought home many things

This past weekend was the fourth annual Chicago Alternative Comics Expo, or CAKE, and I'm happy to say that it seemed to be a successful event for everyone involved, from the organizers, to the attendees, to the many amazing artists who were exhibiting their work. I've volunteered for the event in previous years, but this year they asked me to get even more involved, so I was the Social Media Coordinator for the weekend, running the official CAKE Twitter, Facebook, and Tumblr accounts. I spent the weekend walking around, taking pictures on my phone, and doing lots of tweeting, retweeting, and sharing, so if you check out the past couple days of activity on those accounts, you'll have a pretty good picture of what I was up to.

But anyway, as I usually do when I attend these sorts of events, I want to share all the cool stuff I picked up. Check out this pile of comics goodness:



And here's an explanation of just what all that stuff is. Starting from the top "row":

Going across the middle:

Along the bottom:

That's a lot of comics to process! I'll be reading them over the next week or two, and since CAKE has gotten me inspired, I'll even try to write some blogs about them. But first, I'll do a post sharing the awesome Groo sketches that I got this year. Stay tuned!