My latest review is up over at MangaLife, and it's a look at the book above, an attempt by Christian publisher Tyndale to enter the manga market. It was an odd book, so I figured I would share some thoughts that I wasn't able to squeeze into the review. Think of this as the appendix or something:
- The book is an odd combination of Japanese and Western comics. It's not really OEL/global manga, since the creators are Japanese, but the style is more American, with color, lots of captions and exposition, and completely different pacing than most manga. It makes for a different experience.
- Tyndale's press materials tout the book as more authentic than other Christian manga-style books, since it "features art made by some of Japan's most popular manga artists." But they don't actually mention the creators in the press materials or even on the book cover; they're relegated to the inside front cover along with the copyright information.
- As for the creators themselves, I credited script-writer Hidenori Kumai and artist Kozumi Shinozawa in the review, but there are others listed: assistant artist Atsuko Ogawa, art director Chihaya Tsutsumi, supervisor Kenichi Nakagawa, and co-ordinator Toshikazu Iwaoka. Out of all of them, the only one I could find any information about was Shinozawa, who illustrated a shojo series called Gin No Sato.
- Also in the press release: the announcement of Tyndale's manga line, with the next entry after Manga Messiah being Manga Bible, a full New Living Translation of the Bible with three 32-page color manga sections. Over the next few years, they plan to follow with Manga Mutiny (Fall 2008), Manga Metamorphosis (Fall 2009), Manga Malech (Fall 2010), and Manga Messengers (Fall 2011). I love the crazy titles on those (they sure love alliteration), and while they could turn out to be stodgy and boring, I'm hoping for something along the lines of the oft-celebrated (on the comics internet, anyway) Spire Christian Comics. That would be awesome.
- I tried to keep my personal views out of the matter, but I should mention that I'm a former Christian who grew up in a pretty fundamental family, and thus I've heard and read these stories many, many times. I was struck by a weird vibe to the material, as if the creators were trying to reconcile any differences or contradictions between the four gospels. Also, they walk kind of a fine line between including some of the odder elements of the story (there's lots of demon possession, for instance) and smoothing them out to make it more acceptable in modern times (dialogue is written in a fairly contemporary style). I don't know if this sort of thing will put off anybody else (whether Christian or not), but it seemed kind of strange to me, in a way that I'm finding hard to articulate.
- The pictures in the review came out strange; I think the guys at MangaLife resize them to a lower resolution, so they don't look very good. So, if anyone wants to see better-quality versions, I've put them up on Flickr.
- And speaking of MangaLife, they asked me to give a letter grade to the book reflecting what the intended audience might thing. I'm not too sure of the value of such a grade (I review judge works by what I thought, not by what I imagine someone else might think), but I acquiesced and said B+. Unfortunately, they put that right at the top of the review, like that was my official score. I'm not too fond of letter grades (or stars, or numerical scores, or whatever), but that doesn't really reflect the review; by my opinion of the work, I gave it a C. So that's the real grade, for anybody who cares besides me.
By the way, you might have noticed this already, but I've decided to start going by my full name in order to better distinguish myself from Newsarama's Matt Brady. So it's Matthew J. Brady from now on. Ha!